The Western Valley: The Stonework of Stone Creek


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stonecreekStone Creek is a work camp caught between the Western Valley and the Northern border. Its main purpose is to cut marble from the old Mia river basin that was redirected by Dermite workers when the marble was discovered over 130 years prior.

Only a handful of workers live in the camp, switching out every three months to visit family in Derm or Menk. The marble is sent to the Dermite capital of Derlin to fortify the walls or grow the city within the walls. The marble is also sold to the East for their elaborate architecture, although the East prefers to work with alabaster and limestone.

The camp consists of thirty men at one time which spend most of their hours cutting and moving stones out of the quarry. Stone Creek is abandoned during the winter seasons and resumes near the end of spring when the snow has fully melted. Those that work in Stone Creek are friendly and up for trading food for stories if you happen to be travelling through that way.

Not many choose to stay at the camp unless they have to but new faces are always a welcoming sight for the men working the quarry.

There is a Chijin sculpture by the name of Havin Grockburnker that spends his time in the quarry. Since the age of ten, he spent his summers with the workers learning about marble and at times negotiating prices with merchants that wish to buy. When he was fifteen, Grockburnker began using the flawed pieces of marble for his personal projects, sculpting ‘the spirit’ of the marble. He has created over 100 pieces and is paid to do commissions for very influential clients, (Empress of La’reen and Father Valkrin of Sydrin). Now, at the age of 56 his work is bought by royalty and the money he receives he uses to better the lives of those in the quarry by buying new equipment, lodging, or food.

Havin Grockburnker’s most famous pieces – The Three Siblings – can be found in the Arrowhilm Temple.

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THE GRAND THREE (TRINITY)


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From what I was able to piece together from the traditional texts of my people and the information given to me by the Master Healer Caldor, the Grand Three was the belief that the world could not work without the Gods working in unity. Sirphan gives the world water and life. Darkel’s creations can then grow and feed Sirphan’s creations. Kidoss ensures that the creatures are protected and returns them to the earth from which they came. From this it is believed that life follows a circle and returns from once it came.

Those that followed this belief were the ancestors of my people – the Chijin – before we chose to let science replace belief. It later migrated to the Western Mountains, likely by word of mouth or merchants travelling from the South, to the primitive Morzi with their own spin on the religion where they set up stone idols to represent the three Gods. With what Master Healer Caldor explained regarding his Morzi apprentice, there was a morning ritual where she was responsible for cleaning the idols and garden on where the Gods’ ‘resided’. After the cleaning was complete she would then present gifts to the Gods, asking for their guidance and blessings for the coming day. During festival times the people of the village would gather and pray to the idols, some leaving gifts, while others touched or kissed the idols to be blessed.

This of course is one person’s interpretation of their belief as all records regarding the Morzi Trinity belief has been lost or may be mistranslated. It is also believed that the Trinity belief – better known as the Grand Three – was where the Gods’ Mark was first created. Sign of this symbol can be dated back to the first clans of the Chijin people over 10,000 year ago. You can find this symbol in Chijin architecture and even primitive clothing preserved in the University of Calin.

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Please note my attempt at the Gods’ mark above. The top of the trinity apparently represents the Goddess Sirphan, to the right is Darkel, and to the left if Kidoss. They are wrapped in a circle but their parts are separate, since they each play their own role in the circle of life but are at the same time united. Some also argue that the circle that surrounds the center trinity is a representation of the Gods’ mother, Fate, as Fate encompasses all things living and dead. This of course isn’t fact but it is a theory we must consider when approaching this subject. In regards to the use of this symbol by the followers of Kanrow – Chaos Singers – we can only assume they wanted to take a familiar symbol to make their outrageous claims of their text appear more valid than it actually is.

 

Update:

It has more recently been discovered that those of the supposed Six have been branded with the Gods’ Mark, although it is unclear if it is by choice or on purpose. The representative of the Six – Ambassador Liora of Morza – refuses to comment on the matter regarding the strange markings and responds with hostility whenever questioned about it. I quote, “Aren’t there better things to be asking than what marks are on our skin?”

At this point in time it is unclear if these brands could be the source of the Six’s strange abilities or if it is just coincidence. Further research must be conducted into the Gods’ Mark to have a clearer understanding of its purpose in the ‘Prophecy’.

 

Councillor Bargrim, University of La’reen

 

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Copyright © Prophecy Six Series

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